REFUGIA

 Aesthetics of displacement from the geographic

Eduardo Cruces (Chile), Julie Gough (Tasmania), Francisca Moenne (Tasmania), Robert O'Connor (Tasmania), Macarena Perich (Chile) and Cristian Rodríguez (Chile)

6-28 April 2018, Sawtooth ARI, Launceston (Tasmania)

Black Matter (stage two): Route is funded by FONDART Nacional convocatoria 2018 with the contribution of Contemporary Art Tasmania
 

From Left: Robert O'Connor, ¿Donde está la línea entre el arte y la política? (detail of self-standing canvas), 2018, mix media, 240 x 240 cm; Eduardo Cruces, Reconversión-Ruina, Chile-Europa-Tasmania, performative reading, 12'57'', 2011-ongoing (Photo credit: Mat Carey) 

Robert O'Connor), ¿Donde está la línea entre el arte y la política? (detail of street posters), 2018, numerous photocopies, 29.7 x 42 cm (Photo credit: Mat Carey) 

Eduardo Cruces, Reconversión-Ruina, Chile-Europa-Tasmania (detail of performance trace on wall), 2011-ongoing, 12'57'' (Photo credit: Mat Carey) 

Robert O'Connor), ¿Donde está la línea entre el arte y la política? (detail 1/5 paintings on board), 2018, mix media, 60 x 40 cm each (Photo credit: Mat Carey) 

From left: Macarena Perich, Tarkine, 2018, 217 photocopies, Photograph; Julie Gough, Stolen, 2018, mix media; Francisca Moenne, Un echizo or a spell (detail), 2016-2018, coal, ochre and collected stones, shells and leaves on 170 x 300 cmcanvas, 3'42'' slow motion video, (Photo credit: Mat Carey)

Macarena Perich, Tarkine (detail), 2018, 217 photocopies, Photograph (Photo credit: Mat Carey)

Francisca Moenne, Un echizo or a spell, 2018  (video frame Marginal Transition, 2016) Filming by Julie Gough

Macarena Perich, Tarkine (detail), 2018, 217 photocopies, photograph

Julie Gough, Stolen (detail), 2018, mix media, variable dimensions  (Photo credit: Mat Carey) 

From left: Francisca Moenne, Un echizo or a spell (detail), 2018, coal, ochre, collected stones, shells and leaves on 170 x 300 cmcanvas; Cristian Rodríguez, Si estoy presente, es porqué miro hacia afuera, 2018, electric cable, light bulbs, photograph; Robert O'Connor (detail), ¿Donde está la línea entre el arte y la política?, 2018, mix media, variable dimensions (Photo credit: Mat Carey)

Francisca Moenne, Un echizo or a spell (detail), 2018, collected margin shells, Nothofagus cunninghamii leaves, stone on 1932 dismantled English dictionary (Photo credit: Mat Carey)

Cristian Rodríguez, Si estoy presente, es porqué miro hacia afuera (detail), 2018, electric cable, light bulbs, photograph, (Photo credit: Mat Carey)

Robert O'Connor, ¿Donde está la línea entre el arte y la política? (detail), 2018, mix media on 150 x 240 cm canvas (Photo credit: Mat Carey)

Black Matter © 2017